Originally Posted by
Itsguy
I'm using the Panasonic TX50CX802b, which is a couple of years old and available for good prices. For HDR 4K you need an external box like the Apple TV 4K (on this particular 'internet ready' TV the apps on the TV won't give you HDR, a flaw that makes it relatively cheap for what it is if you have the Apple box). Amazon Prime Video and Netflix in 4K HDR can look pretty spectacular. I believe the more expensive of the two SkyQ boxes also offers some 4K but it's pricey pay per view stuff. Given a 4K blu-ray player and discs you can also use that as a source but that's quite an expensive way to go about it, the discs are twice the price of HD ones. You can rent and buy 4K movies from iTunes for less, which won't be quite the same quality but is still likely to impress given the quality of normal UHD HDR streaming.
Set up really is everything. You will get into all kinds of trouble if you have the wrong HDMI leads, they need to be rated for this kind of speed, preferably Dolby Vision capable, don't just use your old ones. You'll also need fast broadband for streaming. The TV itself needs to be expertly set up too, consult online guides. Out of the box all TVs look terrible as they have loads of stupid 'Ultra Auto AI Super Intelligent Colour Boost Picture Remaster Pro' type settings turned on, all of which need to be turned off it you want to see the film as intended by its creators. Backlight, contrast etc. also need to be carefully adjusted. Why they don't just supply them with the settings adjusted correctly is anyone's guess! (NB I've worked in the film and TV industry for many years so I'm not just making this stuff up, the idea is that the TV should exactly match what the director and colourist were looking at in the colour grading suite, 'improving' the picture does not generally improve it!)
The use of HDR is really in the experimental stage, as film makers work out what they want to do with it creatively. Its use can sometimes be a bit gimmicky and you do not always want to be blinded by the super bright light from a window, or a door opening to reveal the outside sunlight. Setting up the TV so it's comfortable helps with this, and keeps the scene natural while still taking advantage of the increased range. I've been impressed by Goliath on Prime, and (nerd alert) Star Trek Discovery on Netflix where the spaceship is essentially art directed to be an HDR environment, full of moody spaces lit by glowing lights. For me though not every scene in every film has to be an HDR showcase, it's a useful tool but if it's overused it becomes a restrictive high contrast look that isn't always what the scene requires.